Bret Easton Ellis Thinks You’re Overreacting to Donald Trump
Bret Easton Ellis, whose first book of nonfiction, “White,” is an interlocking set of essays about America, says he isn’t interested in politics and wants to just give everyone the benefit of the doubt.
When did people start identifying so relentlessly with victims, and when did the victim’s world view become the lens through which we began to look at everything?” So begins Bret Easton Ellis’s take on, of all things, Barry Jenkins’s film “Moonlight,” which he describes as “an elegy to pain.” Ellis’s first work of nonfiction, “White,” is an interlocking set of essays, combining memoir, social commentary, and criticism, on America, in 2019; more specifically, it’s a sustained howl of displeasure aimed at liberal hand-wringers, people obsessively concerned with racism, and everyone who has not gotten over Donald Trump’s election. His targets range from the media to Michelle Obama to millennials (including his boyfriend). Ellis also defends less popular people, from Roseanne Barr to Kanye West, whom he perceives as having been given a raw deal by the mob.
For those who follow Ellis on Twitter, none of this will be particularly surprising. He has gotten involved in several online controversies, including one that stemmed from him calling the filmmaker Kathryn Bigelow “really overrated” because she is “a very hot woman.” The more interesting question is how much of a departure this material represents from his fiction. When Ellis was in his twenties, he published three novels—“Less Than Zero,” “The Rules of Attraction,” and “American Psycho”—that are considered some of the most biting and lasting satires of Ronald Reagan’s America. But their protagonists’ materialism, misogyny, and amorality, along with Ellis’s early Brat Pack persona, have persistently raised questions regarding the depth of his social critique. “American Psycho,” about an investment banker and serial killer (who happens to worship Donald Trump), has been described as a masterpiece of postmodern literature, but it’s also been condemned by prominent feminists.
In recent years, Ellis has continued to publish fiction while also writing screenplays, including for Paul Schrader’s “The Canyons,” which became notorious for its troubled production. Since 2013, he has hosted the “Bret Easton Ellis Podcast,” on Patreon. Ellis and I recently spoke by phone. During our conversation, which has been edited for length and clarity, we discussed how people respond to allegations of sexual assault, whether the President is a racist, and why he finds liberal outrage so annoying.
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Oh, O.K. What did you think birtherism was?
I do think birtherism was racist and the Tea Party was an abomination. The hysteria over Trump is what I am talking about. It’s not about his policies or supposed racism. It’s about what I see as an overreaction to Trump.
Sorry, you keep going back and forth here between racism and supposed racism. Do you think he is racist or not?
Yeah, probably he is. Because when I was doing research on him, way back in the nineteen-eighties, during “American Psycho,” the policies he and his father were talking about—in terms of not letting people live in certain buildings, and the overreaction to the Central Park jogging case—was annoying enough to make him a figure in “American Psycho,” where Patrick Bateman sees him as the father he never had.
The animating feature of the book is that you are frustrated and annoyed with the liberal consensus, which is “shrilly” and “condescendingly” looks down on Trump voters. Would that be a fair way of putting it?
I would say that’s a fair way to put it, sure.
Is it that you think there are terrible things going on but we should all take a deep breath, or is it that you don’t think there are a lot of terrible things going on?
I just think that there is a man that got elected President. He is in the White House. He has vast support from his base. He was elected fairly and legally. And I think what happened is that the left is so hurt by this that they have overreacted to the Presidency. Now, look, I live with a Democratic, socialist-bordering-on-communist millennial. I hear it every day.
He’s a character in the book.
He is in the next room right now. And I do put myself in his shoes, and I do look at the world through his lens, because I have to. I live with him, and I love him. And I do hear this, and some of it changes my mind, and some of it doesn’t. I am certainly much more of a centrist than he is. I do listen, and I think that [lack of a] sense of neutrality—of standing in the other side’s shoes and looking at this from the other side—has bothered me among a lot of my friends and from the media.
What would looking at some of the issues that we have been facing from the perspective of Trump voters look like in practice?
I don’t know. I am not that interested in politics. I am not that interested in policy. What I was interested in was the coverage. Especially in Hollywood, there was an immense overreaction. I don’t care really about Trump that much, and I don’t care about politics. I was forced to care based on how it was covered and how people have reacted. Sure, you can be hysterical, or you can wait and vote him out of office.
People did show up at the polls in 2018.
They might very well vote him out. I hope they do, so we have some sense of normalcy in this household.
Big picture.
But I don’t really care.
When I think of when people have freaked out during the past couple of years, I think of the Muslim ban, child separation, and the President saying that there were good people on both sides in Charlottesville. What, as a citizen, do you think would have been appropriate responses?
I don’t know. I really don’t.
Did it bother you when people showed up at airports or said child separation was terrible?
No, not at all. I’m not really bothered by that one way or the other.
But you don’t think people should complain about [those policies]?
No, I feel that whoever has been elected can do whatever they set out to do and what their party wants them to do and what their base wants them to do, and you might not like it, Todd [Ellis’s boyfriend] might not like it, I might not even like it, but this is the reality. It is not some made-up fantasy. This is happening.
There are plenty of people who like what he is doing, so what are we saying?