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[–] 17789554? ago 

Good evening once again fine gentlemen. Tonight I wish to discuss another important aspect of /sig/, the understanding as to why things have "fallen" societal level. Namely I will doing a primer on the inversion of beauty and nobility to it's current semetic form of embracing the ugly and the modern promotion of the vile and it's effect on us. I shall endeavour to offer an insight into this so you, my fellow sons of Europa, have an understanding of one of the most fundamental weapons in our opponents arsenal and how it is used to weaken your resolve.

Let us begin with art. When one looks at a piece of classical art one has a true sense of the scale and beauty of the said piece. Be it a Napoleonic battle scene or a recreation of the battle of Gettysburg, it encompasses both heroism and tradegy within it. Or mayhaps one glances upon a piece involving a beautiful woman or even a member of the one of the European gods of any pantheon, there is always a level of wonder and awe within the piece. The curves and grace of Venus. The might of Odin. These pieces speak intrinsically to the European soul, an image of beauty and power forever immortalised upon canvas. There is a distinct level of skill and what one could almost term "soul" in the piece that makes it truly a wonder to any man of noble spirit.

Now compare that to modern "progressive" art. Let us for instance look at the "world famous" Tate gallery in London. Have a guess at what one of it's most notable pieces. Could it be perhaps a grand facade depicting Wagner's epic piece Entry of the Gods into Valhalla? Could it be an homage to Dante's journey through the circles of Hell? No. No it is not. It is a rock. Yes, dear brothers you indeed read that right. A rock. But wait I hear some anon cry yonder, surely there is more to modern art than that? Why yes there is! There was the unmade bed with a used condom left on it, lined with filth and dirty clothes, an apparent "reflection" of the modern times (of course from the mind of a (((tribe))) member). There was the used tampon upon a pedestal. There was even a dead shark preserved in formaldehyde, oh such glories of glories. This is what is considered "progress" when looking through the lense of the semetic world. Preserved corpses, a blooded female sanitary product and a dead and lifeless rock. These are but three minor examples but dear friends there is so much more. Here we can clearly see a demonstration of the semetic inversion of beauty with the ugly. There is no beauty to be found in a dead shark. Oh, of course, you have the (((excuse))) of "beauty is in the eye of the beholder" but come now, any man of right mind understand these things are not beauty, they are adorations of the disgusting and disturbed. But, mayhaps, you are not convinced. Then please feel free to look up a recent trend of "Outsider Art", the latest in the semetic theme of degeneration. I do hope you enjoy seeing human teeth attached to childrens dolls.