Profile overview for AgeOfRage.
Submission statistics

This user has mostly submitted to the following subverses (showing top 5):

3 submissions to classicalmusic

This user has so far shared a total of 3 links, started a total of 0 discussions and submitted a total of 4 comments.

Voting habits

Submissions: This user has upvoted 82 and downvoted 0 submissions.

Comments: This user has upvoted 6 and downvoted 0 comments.

Submission ratings

5 highest rated submissions:

5 lowest rated submissions:

Comment ratings

3 highest rated comments:

Tine Thing Helseth: Haydn Trumpet Concerto, 3rd mvt. submitted by AgeOfRage to classicalmusic

AgeOfRage 0 points 1 points (+1|-0) ago

This is one of the first uses of the chromatic trumpet. Sorry for the low quality!

Modest Mussorgsky: Great Gate of Kiev from Pictures at an Exhibition. Vancouver Symphony Orchestra. submitted by AgeOfRage to classicalmusic

AgeOfRage 0 points 0 points (+0|-0) ago

This is one of my favorite pieces from Mussorgsky, and this rendition is perfect!

Christoph Willibald Gluck - Orphée et Euridice Act II, Scene I: Dance of The Furies (Paris 1774) submitted by AgeOfRage to classicalmusic

AgeOfRage 0 points 0 points (+0|-0) ago

This reminds me so much of Vivaldi, it's a shame that it only appears in the 1774 version of this opera.

3 lowest rated comments:

Rostropovich plays the Prelude from Bach's Cello Suite No. 1 submitted by that-all-you-got to classicalmusic

AgeOfRage 0 points 0 points (+0|-0) ago

I am glad you posted this, I prefer him to Yo-Yo Ma any day.

Modest Mussorgsky: Great Gate of Kiev from Pictures at an Exhibition. Vancouver Symphony Orchestra. submitted by AgeOfRage to classicalmusic

AgeOfRage 0 points 0 points (+0|-0) ago

This is one of my favorite pieces from Mussorgsky, and this rendition is perfect!

Christoph Willibald Gluck - Orphée et Euridice Act II, Scene I: Dance of The Furies (Paris 1774) submitted by AgeOfRage to classicalmusic

AgeOfRage 0 points 0 points (+0|-0) ago

This reminds me so much of Vivaldi, it's a shame that it only appears in the 1774 version of this opera.